Lookout is proud to announce that poet and Lookout author John Rybicki will be heading out on a North Carolina tour this coming week. The tour, made possible with generous support from the North Carolina Arts Council, will include stops at oncology centers, a library, and a bookstore.
Planning this tour for John has been such a pleasure, and we are so excited about creating some new platforms for him to read his incredible work and to share his powerful messages of grief, hope, and healing.
Above: Tour kits sent to reading venues
On the evening of Sunday, April 7, John will be a guest on “That Cancer Show,” which airs from 8 – 9 p.m. on WPTF 680 AM in Raleigh-Durham-Chapel Hill and WSJS 600 AM in the Greensboro-Winston Salem-High Point area. You can listen to the program on the “That Cancer Show” website: http://www.cancersupport4u.org/that-cancer-showtrade.html. “That Cancer Show” is a program from Cornucopia Cancer Support Center in Durham.
On Monday, April 8, John will be offering a 6 p.m. workshop/poetry discussion and 7 p.m. reading at the Morrison Regional Library in Charlotte.
John will stay in Charlotte for the night of Tuesday, April 9, too, with an appearance at Levine Cancer Institute. This reading and program will be focused on the healing arts, and nurses, doctors, patients, families, and anyone whose life has been impacted by cancer are encouraged to attend. (Like the other stops on the tour, this event is also open to the public.)
On Wednesday, John will head to the Triangle. On the evening of Wednesday, April 10, he’ll be giving a reading at Cornucopia Cancer Support Center in Durham.
On Thursday, April 11, he’ll be reading alongside former NC Poet Laureate Kathryn Stripling Byer and the poet John Amen at Flyleaf Books in Chapel Hill. Feel free to join the poets for an informal discussion at Foster’s Market, next door to the bookstore, at 6 p.m. The official program at Flyleaf will begin at 6:30 p.m.
Each of the above events is open to the public. John’s Lookout title, the poetry collection When All the World Is Old, is will be available for sale at each event, and you’ll have the option to get your book signed.
John’s tour will conclude on Saturday, April 13, when he gives a presentation at the North Carolina Writers’ Network Conference at University of North Carolina Greensboro. Pre-registration is required for this event.
If you’re able to attend any of these events, please let us know what you think. We can’t wait for the tour to begin. Many thanks to the wonderful staff members at Morrison, Levine, Cornucopia, and Flyleaf for generously hosting us. See you on the road!
“Miller’s prose throughout combines that knack for close observation and gently mocking tone, such as when he romanticizes his neighbor Mr. Hickey but bemusedly remembers how the man’s sister tried to equip him with a gun. His mother comes in for the harshest treatment, as he catalogs her self-martrying attitude and emotional disorganization, symbolized by a massive handbag he calls Moby Purse.”
Read the rest here!
Lookout Books is getting excited about AWP. We hope you’ll stop by our table at the Bookfair, and that you’ll attend The Debut Voices of Lookout Books, which is happening this Friday at 1:30 p.m. This reading will be the first time all four Lookout authors are in the same place, and the event will be followed by a book-signing at our Bookfair table. You’ll be able to grab signed copies of all our Lookout titles. We’re also excited about unveiling the limited edition chapbook that we printed in-house to commemorate the Debut Voices event.
We did a blog post about creating glyphs for the chapbook (read it here). Now we’re going to share how we designed the interior of the chapbook, which features complete stories from our three prose authors’ Lookout titles and two poems from our Lookout poet . Here’s a look into the process of designing and printing the book:
As the interior designer, I met with the interns doing cover design and together we decided on a trim size of 6” x 6”. Then I got to work on designing a page layout, asking for feedback as we worked.
1. An early version, with handwritten feedback. We needed to feature the author name more prominently, to group the name and title differently, and to give the text more room to breathe with some larger margins.
After taking everybody’s suggestions into account, I came up with the final layout, threaded the pieces into the InDesign document, had multiple people copy-edit printouts of the document, and then started printing.
2. Printing the book in The Publishing Laboratory. The new interior is pretty different from the one pictured above.
I spent the better part of two days printing, trimming pages on the guillotine trimmer, binding on the perfect binder (someday I’ll chuckle wistfully at the memory of my rookie mistake that spread glue all over the machine, and the hours we spent chipping away at it), and giving the bound books a final trim.
3. A bound chapbook awaiting trimming. The bow-tie covers are in honor of Ben Miller’s River Bend Chronicle. There are four cover designs total, each with a glyph that symbolizes that author’s work.
4. More bound chapbooks, resting under the weight of the entire English language.
Hands-on experience is one of the major reasons why I’m a Lookout intern. We really like all the emailing and editing and marketing that goes along with the job, but there’s something incredibly satisfying about spending a couple weeks actually making a book. It was definitely a learning experience: fun, exciting, and occasionally exhausting. We did a print-run of only 38 copies, so snatch one up as soon as you can!
—Kathleen Jones, Lookout Intern
1. Like all writers, we love animals, but after a while we get a little tired of hearing about your pets. If you have three turtles, we don’t think, oh but those three turtles probably need some fancy flies that could be bought with the money from publishing this story. We’re happy you have things in your life that you love—but this is a cover letter. Let’s get to your story!
2. It’s usually best to keep the letter brief. Sure, we want to know that you’ve been published by the Paris Review, the New Yorker, and Agni—Hooray!—but then you’re fine with the phrase “and many other journals.” Listing another twenty places feels unnecessary. Plus the block of text makes our eyes glaze. Pick the top three or four—maybe five—and keep some mystery in this relationship.
3. That being said, give us a little more than a two-word cover letter reading “story attached.” If you could write a salutation, the genre of your piece and a brief “thanks for reading,” we really would appreciate it. We want to be drawn in to your work and, let’s be honest, everyone likes a little charm.
4. Avoid all caps if possible. It’s unfortunate for all of us that Submittable won’t let you use italics. BUT PLEASE DON’T SHOUT THE TITLE OF YOUR STORY.
5. Many journals, including ours, are partially staffed by students, so we know it’s confusing that our genre editors turn over every two or so years. But as fiction editor, I’d rather you address me as “editor” than someone who hasn’t been involved in the magazine in eight years. It makes us think you haven’t read (or, come on, Googled) the magazine in eight years either. We want to invest time in you; invest a little time in us. Let us know you read and know us as a magazine.
Ecotone’s overwhelmed fiction editor. Ahh!
— Nicola DeRobertis-Theye, Lookout Intern, Fiction Editor of Ecotone